October 11, 2012
On October 3, 1992, while appearing on Saturday Night Live as a musical guest, Sinead O’Connor performed an a cappella version of the Bob Marley song War, during which she notoriously tore up a photograph of Pope John Paul II. She presented the photo of the Pope to the camera while singing the word “evil”, tore the photo into pieces, said “fight the real enemy”, and threw the pieces towards the camera.
O’Connor has since explained that she intended this behavior as a protest against widespread child abuse under Catholic power in Ireland. O’Connor has revealed and discussed the child abuse she herself underwent at the hands of her mother, as well as in Catholic school while growing up in Ireland. She underwent long-term physical, sexual, and emotional abuse.
Intending this symbolic protest as a “wake up call” to the world to recognize the corruption of the Catholic church and to look closely at the extent of the child abuse problem within Catholic institutions as well as in Ireland, O’Connor was vilified after the SNL incident. Not only did executive producer Lorne Michaels order that the applause sign not be used at the time, leading to absolute silence in the audience during the incident, but Sinead was thereafter mocked, ridiculed, as well as banned from SNL. NBC received more than 900 calls during the next two days, with all but seven criticizing O’Connor. It received 4,400 calls about the O’Connor situation in total.
O’Connor surprised SNL’s staff with the photo incident, having not brought out the photo of the Pope at all during dress rehearsal, and it took years before SNL’s executive producer Michaels was able to recognize the behavior as “a serious expression of belief”.
While protesting a serious issue, namely the child abuse epidemic in the Catholic church, of which she herself suffered deeply for many years, Sinead O’Connor nonetheless became the butt of many jokes and put-downs as a result of this incident. Even irreverent modern entertainers, such as Madonna and Joe Pesci, took strong public stands against her.
Joe Pesci, during his opening monologue as the following week’s host on SNL, held up the photo, explaining that he had taped it back together. Then, to huge applause, he tore up another photo, of O’Connor herself. Pesci also said that had it been his show, “I would have gave her such a smack.”
Madonna publicly denounced O’Connor for her criticism of the Catholic church, including two weeks later while herself hosting SNL, as well as in the press during interviews.
O’Connor was also booed off the stage at a Bob Dylan tribute concert two weeks after the SNL performance.
O’Connor suffered many forms of disparagement after her attempt to bring the suffering and cruelty behind child abuse to light, and it was only years later that the extent of the child abuse epidemic in the Catholic church became widely understood.
I think the world’s reaction to O’Connor’s stance, particularly in a country such as the United States with a strongly protected right to free speech, reflects the dynamic in families and groups in which child mistreatment is prevalent. The abused are blamed, while the reputation of abusers is often staunchly protected.
Please see the following recent article in the Atlantic providing a modern view of what happened: The Redemption of Sinead O’Connor.